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Directing

  • The Betrothed, by Scarlett McCarthy, The Tank (November 2024)

  • The Hunt for Chantilly, by Victoria Masteller, Living Radio (October 2024)

  • The Rizzler, by Carmen Burbridge, Serials NYC (October 2024)

  • Running After Bobby, by Adam Kraar, Ensemble Studio Theatre (June 2024)

  • Romeo and Juliet, by William Shakespeare, Boomerang Theatre Company (Dir: Christina Ashby) * (June 2024)

  • Everyday, by Roderick MacInnes, Living Radio (May 2024)

  • The Glass Between Stars, by Evan Brodsky, The Tank (March 2024)

  • SAMO, SAMO, by David H. Rosen, Living Radio (February 2024)

  • Wrought, by Aaron Roitman and Sage Martin, Self-Produced Reading (January 2024)

  • Heroes of the Fourth Turning, by Will Arbery, The Mandala Series (November 2023)

  • Landis and the Bear, by Catherine Berg, Samuel French Annual Short Play Festival (August 2023)

  • Mouse Trap, by Annick Gerard, New York Theater Festival (June 2023)

  • The Two Hander, by Julia Blauvelt, Project Y Theatre (Dir: Tasha Gordon-Solmon) * (June 2023)

  • Danny and the Deep Blue Sea, by John Patrick Shanley, The Mandala Series (June 2023)

  • Wherever You Go, by Adam Kraar, Theatre East (Dir: Tasha Gordon-Solmon) * (Feburary 2023)

  • Downstairs, by Theresa Rebeck, ARC Stages (Dir: David Perlow) * (September 2022)

  • Oleanna, by David Mamet, The Mandala Series (August 2022)

  • Don’t Do This to Us, by Stephanie Swirskey, The Tank (Dir: Tasha-Gordon Solmon) * (August 2022)

  • The Karpovsky Variations, by Adam Kraar, Boomerang Theatre Company (Dir: Tasha Gordon-Solmon) * (May 2022)

  • From A to Double D, by Mandy Murphy, Moxie Arts (Dir: Margaret Lee) * (February 2020)

  • Legally Blonde: the Musical, by Laurence O’Keefe and Nell Benjamin, Wesleyan University (November 2018)

  • Dry Land, by Ruby Rae Spiegel, The Actor’s Gym Studio ^ (2022)

  • Speech and Debate, by Stephen Karam, The Actor’s Gym Studio ^ (2022)

  • The Harvest, by Samuel D. Hunter, The Actor’s Gym Studio ^ (2022)

  • Athena, by Gracie Gardner, The Actor’s Gym Studio ^ (2022)

  • Elegy, by Nick Payne, The Actor’s Gym Studio ^ (2022)

  • Blackbird, by David Harrower, The Actor’s Gym Studio ^ (2022)

    *Associate/Assistant Credit; +Current/Upcoming; ^Selected Scenes

Producing and Administration

  • Patchworks, Co-Founder/Co-Artistic Director (March 2024 - present)

  • The Tank, The Glass Between Stars, Lead Producer (December 2023 - present)

  • Pocket Universe, The Girl You Talk To, House Manager (June 2023 - July 2023)

  • The Mandala Series, Co-Director/Founder (July 2022-December 2023)

  • The Tank, Don’t Do This to Us, Covid Compliance Officer (June 2022 - August 2022)

  • Women Center Stage Festival, Artistic Producer (August 2021-November 2021)

  • The Moxie Commission, Associate Producer/Production Coordinator (December 2020-July 2021)

  • Amas Musical Theatre, Production and Administration Intern (September 2020-December 2020)

  • Soho Rep, Wolf Play, Production Intern (February 2020 - March 2020)

  • Moxie Arts, Production Intern (September 2019 - February 2020)

  • The Facing Project, Producing Intern (May 2017 - August 2017)

Education

  • Wesleyan University, Bachelor of Arts; Honors in Government, Concentration: Comparative Politics; Certificate: Civic Engagement (September 2015 - May 2019)

  • The School for International Training, Durban, South Africa (August 2017 - December 2017)

  • The Actor’s Gym | The David Perlow Studio, New York, NY (November 2019 - December 2023)

Awards and Affiliations

  • The Facing Project, Board of Directors Member (June 2024 - present)

  • Patchworks, Co-Founder/Co-Artistic Director (March 2024 - present)

  • The Mandala Series, Co-Founder/Director (August 2022 - December 2023)

  • The Actor’s Gym, Directing Associate (April 2021 - December 2023)

  • J.P. Adler Memorial Award for Student Theatre, Legally Blonde: the Musical (November 2018)

  • Davenport Prize for Achievement in Government and Politics (May 2019)

  • Government Departmental Honors at Wesleyan University (May 2019)

    • Senior Honors Thesis: The Parliament Paradox: Rwanda as a Case Against Composite Gender Indicies